The reader reports for “Where Is France in French Cinema, 1976-2013” all noted that the tone was a bit….less than professional and academic. Thankfully, the editor of the special issue, Jane Stadler, didn’t mind me doing things like calling Brisbane a backwater and gleefully admitting that I hadn’t watched a bunch of movies and, probably most of all, saying that I’m not worried about being wrong because what I really care about it using visualizations of narrative settings to reconsider how we think of film history.

The marketing people at University of Edinburgh Press picked my inappropriate-tone article to highlight in the most recent issue of the hilariously named International Journal of Humanities and Arts ComputingIt’s right here.